Another poem in response to Old Monk by Mary Lou Kownacki. Obviously influenced by being on a silent retreat as I wrote it. Opening is from Psalm 90:12.
(Warning: language not appropriate for all audiences. Parental discretion advised)
*********************************************
Lord, teach me to number my days
that I may turn my heart to wisdom.
The Cheyenne say
each person at birth
receives so many words.
When the words are finished,
so, too, the person.
A girl,
runs through the streets
thousands upon millions of times
shouting "F**k You!"
Until, with two words remaining,
she falls to her knees,
horrified and afraid.
Decade after silent decade
she walks,
seeking a heart still enough
to keep closed
her muted mouth.
Then, when an aged woman,
alone, but not lonely,
she whispers,
"Thank you,"
her spirit leaves on
her last breath
as her silent lips mouth
"Jesus."
Reflections of a priest and parent looking for the Kingdom of God's coming in the city and the world.
Tuesday, January 29, 2013
Wednesday, January 23, 2013
Haiku
On Friday night during my retreat, the staff served a delicious Japanese soup and sides. All the food that week was interesting and delicious, and a Thank You Haiku came to me while eating in silence and listening to the chairs scrape along the dining room floor. That evening, David and I took a walk in the rain, and encountered some of God's creatures on the Tennessee plateau.
***********************************
On Japanese Night
A Haiku of Thanks
Food: God's gifts we eat
Made by loving hands and hearts
The chairs squeak, "Amen!"
**********************************
A Night's Walk With David
Rustling in the woods;
A shadow glides through dark fog.
The deer joins its friend.
A toad hops beneath.
Two earthworms straddle the road.
Two friends share the rain.
***********************************
On Japanese Night
A Haiku of Thanks
Food: God's gifts we eat
Made by loving hands and hearts
The chairs squeak, "Amen!"
**********************************
A Night's Walk With David
Rustling in the woods;
A shadow glides through dark fog.
The deer joins its friend.
A toad hops beneath.
Two earthworms straddle the road.
Two friends share the rain.
Monday, January 21, 2013
A Confirmation Class Question
The confirmation teacher came to chastise me.
At coffee hour, her students ran to me,
"Name three gifts from God!"
Apparently the right answers were
prophecy, teaching, evangelism
and the gifts of the Spirit.
I said popcorn, pretzels, and
(striving to keep powdered sugar off
my black suit as I took a bite)
doughnuts.
At coffee hour, her students ran to me,
"Name three gifts from God!"
Apparently the right answers were
prophecy, teaching, evangelism
and the gifts of the Spirit.
I said popcorn, pretzels, and
(striving to keep powdered sugar off
my black suit as I took a bite)
doughnuts.
Friday, January 18, 2013
A Rumination on Dancing
Who starts ballet at thirty-nine?
PliƩs, Rond de jambes, pirouettes, jumps,
amid stretches that don't stretch so far.
But deep down somewhere
inside is hidden
beauty and grace
And I must find them
before
I no more
am able.
****************************************
With thanks and heartfelt gratitude to Abbey Alter, Jill Niess and everyone involved with Ballet Theatre Shenango Valley. I am honored and blessed to have the privilege of working with you in the studio and on the stage.
Special thanks, of course, to Jane, who signed me up for Cinderella and encouraged me to take an adult ballet class. You are always right. Again.
PliƩs, Rond de jambes, pirouettes, jumps,
amid stretches that don't stretch so far.
But deep down somewhere
inside is hidden
beauty and grace
And I must find them
before
I no more
am able.
****************************************
With thanks and heartfelt gratitude to Abbey Alter, Jill Niess and everyone involved with Ballet Theatre Shenango Valley. I am honored and blessed to have the privilege of working with you in the studio and on the stage.
Special thanks, of course, to Jane, who signed me up for Cinderella and encouraged me to take an adult ballet class. You are always right. Again.
Wednesday, January 16, 2013
Two poetic musings on vocation
On a recent silent retreat at St. Mary's Retreat Center in Sewanee, Tennessee, I started writing a bunch of poetry. Part of the inspiration came from reading Old Monk, a collection of poetry written by Mary Lou Kownacki, a Benedictine Sister in Erie, PA. (Old Monk can be ordered from Benetvision.)
Below are two poems in response to what Mary Lou had written. The first jumps off a quote from her friend who says that it's not why you came to the monastery, but why you stayed that's important. The second comes from asking myself where I stand.
If you like these, I've got some more that will be posted in the coming days. Put your e-mail address in the subscription box to the right and they'll be sent to you.
*************************************************
I come into church
Sunday after Sunday
and almost every day in between.
Once I would have said I was called,
holding ten talents I dared not bury.
"Build a career in the Church -- ah, good,"
as one nonagenarian said to me in seminary.
Really, though
I feared the talents I held were tin,
not gold,
and I needed to hear
someone say
they weren't wasted.
But now,
why not come?
They let me sing
and pray
and dress in colorful capes
and bless with abandon.
While every week
I stand up and lay bare
how God touched my soul.
*************************************************
"Decide where you stand
and stand there."
So says Dan Berrigan
and also, more or less, R.E.M.
I stand at the altar.
Sometimes in a church;
Sometimes in the city;
Sometimes in my home.
Calling forth the Body of Christ
in the gifts laid upon it
and in the souls
standing round it.
Below are two poems in response to what Mary Lou had written. The first jumps off a quote from her friend who says that it's not why you came to the monastery, but why you stayed that's important. The second comes from asking myself where I stand.
If you like these, I've got some more that will be posted in the coming days. Put your e-mail address in the subscription box to the right and they'll be sent to you.
*************************************************
I come into church
Sunday after Sunday
and almost every day in between.
Once I would have said I was called,
holding ten talents I dared not bury.
"Build a career in the Church -- ah, good,"
as one nonagenarian said to me in seminary.
Really, though
I feared the talents I held were tin,
not gold,
and I needed to hear
someone say
they weren't wasted.
But now,
why not come?
They let me sing
and pray
and dress in colorful capes
and bless with abandon.
While every week
I stand up and lay bare
how God touched my soul.
*************************************************
"Decide where you stand
and stand there."
So says Dan Berrigan
and also, more or less, R.E.M.
I stand at the altar.
Sometimes in a church;
Sometimes in the city;
Sometimes in my home.
Calling forth the Body of Christ
in the gifts laid upon it
and in the souls
standing round it.
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